I am depressed. Clinically, one supposes. I am spinning in place, with so many projects and ideas in my head, but too few hours in each day, and too little energy to create in the ones available to me to do so. I want to blog, but about what? Does anyone really want to hear me whine about such first world problems?



I am depressed about the political climate in my country. Are these shit-flinging chimps really viable presidential candidates? Have we, as a nation, completely lost the power of critical thinking, the ability to understand nuanced thought and complex concepts? (Don’t answer that. It was a dispirited, and jaundiced, rhetorical question.)



I am depressed about what used to be my career and is now reduced to a mere job, something I do eight hours a day to pay the bills. Although I am dangled carrots, I know them to be nothing more than carrots on a string, to be snatched away when I believe them to be within my grasp.

I am depressed about, well, everything.

Uno Mas Tequilla!

This summer is speeding by in a haze of good times had with good friends: all back-lit and golden and soft-focus, like a cheesy beer ad aimed at the demographic of late-season baby boomers, or you know, me and my peers. In any event, we have been having a blast, fueling it with a soundtrack of girl groups, rockabilly, bar bands and tiki/exotica. We started with the Hukilau, and Miz Shoes is here to testify that she is now deeply, truly in love with Grinder Nova. UNO MAS TEQUILLA! We were joined by the Fabulous Flamingos, and in the event, the Hukilau proved to be more fun than any of us had imagined, and we all have great imaginations. One of the highlights of the weekend was meeting MeduSirena, who has reawakened my childhood obsession with

dream of becoming a mermaid. There is going to be a lot more sequined tail in Miz Shoes future.



The following weekend, we left for the annual left coast week. This is a ritual gathering of our pod (to steal MeduSirena’s term). Most of us are women of a certain age who have been friends for either half or all of our lives, depending. We gather on the beach to soak up the sun, reconnecting with our selves and each other, and admitting to our group our alpha male, the Renowned Local Artist. He demures, but he is.



This year found us gathered for the Summer Solstice, and we were crones, practicing great healing magic on the one who needed it most. We swam in the Gulf; we were mermaids and we sang our siren song to the RLA. We ate communal meals and rendezvoused with friends, Total Wine and the world’s best GoodWill store.



And now it’s time to pile up the towels and blast the sound track: it’s time for the annual tank wars and bbq/pool party.

Well, this sucks. The Big Man has gone to the great gig in the sky. He himself believed that we pass from this form into the pure white light, and if anyone ever did or does, then Clarence Clemons would be that one. Clarence was the heart and soul of the E-Street band, and I cannot imagine how the show will go on without him. To all my friends in the E-Street nation, I send you love and light. To anyone who ever saw him live, I tell you that you were blessed. To those who knew the Big Man personally, I cannot imagine the depths of your loss, and do not presume that my words could be of any comfort at all, but I offer them anyway.



The size of the hole he leaves in this world is immense, as immense as his talent, as immense as his soul.



My Big Ten Inch

Miz Shoes dedicates this post to The Rude Pundit, for obvious reasons.



So here’s the thing about Anthony Weiner that nobody is willing to talk about. It’s the elephant in the room, connected, if you will, to the trunk in Tony’s crotch shots. Miz Shoes is not going to offer an opinion about Tony being a pervert or a creeper, although, you know, if it sexts like a creeper and lies like a creeper and acts like a creeper, the odds are pretty good that it is, in fact, a creeper. No Miz Shoes doesn’t care about that. Miz Shoes says this as a woman with a history of fondness for men who are not, shall we say, classically handsome (see obsession with Bob Dylan). But LOOK at that man, people. LOOK long and hard. THAT is a man who has never gotten laid for free in his life. Really. Not even a mercy fuck for that monkey. How he scored his wife is a mystery, but the word “beard” comes to mind. He is just a pathetic little man who finally found a medium where he could “charm” with his “wit” and then get his rocks off via e-mail.







And now let him be gone from our national dialog.





 

As regular readers of this irregular journal are most likely aware, Bob Dylan sits at the top of my personal rock gods pantheon. Or, perhaps more accurately, he is the enlightened fool of the tarot deck. Either way, not a day goes by that there isn’t something from Dylan on my i-pod and thence into my head. I carry on my shoulder a (tattoo of a) Siamese cat. I dream about him more than I dream about the people who populate my waking life. Today is Mr. Dylan’s 70th birthday, and so pundits from the Rude to the New York Times are lauding him and retrospecting him and carrying on as though he’s just been discovered. This year I chose not to bake him a cake, as he never shows up at my house for a slice anyway, and my diet precludes random cake baking. Instead, it is my pleasure to reprint for you all, in its entirety, a little something from the Sept/Oct 1995 issue of the Annals of Improbable Research (AIR).



The Value of Love, Using the Dylan Model



 

  • by Joseph Cliburn, Dept. of Institutional Research/Planning, Mississippi Gulf Coast Community College, Perkinston, Mississippi

  • Andrew Russ, Department of Physics, Penn State University, University Park, Pennsylvania

  • Tiny Montgomery, State Penn Center of Mathematics and Truck Driving, University Park, Pennsylvania

  • Zeke de Cork, Shady Acres Old Folks Home and State University, Perkinston, Mississippi



    Starting from a statement brought home by Bob Dylan [1965a] we estimate the value of Love using basic algebra of need [Mottram, 1965], perhaps some calculus, maybe a bit of the geometry of innocence [Dylan, 1965f], and a lot of wishful thinking.



    The Limits of Love

     



    We begin with the following assertion by Dylan [1965a]:



        (Love - 0) / No Limit (1)



    using the expression on the record label in preference to the statement on the back cover [1965b], and taking a cue from the author’s statement that it is a fraction [1965c].



    Setting aside the question of whether the use of an expression here marks Dylan as an Expressionist, we set the expression equal to X, which is unspecified for the moment, and solve for Love:



        x = (Love - 0) / No Limit (2)



    Thus:



        (No Limit) X = Love - 0 = Love (3)



    where we’ve made use of the fact that for any A, A - 0 = A.



    Thus Love = something times “No Limit.” The traditional quantity that has no limit is infinite, thus we get Love is infinite, assuming that X is finite. If X is 0, we have 0 times infinity, which is indefinite.



    Signs of Love



    However, if X is negative, or “Less than Zero” [Costello, 1977], we get the result that Love is infinitely negative. This is perhaps enough negativity to succeed when gravity fails you [Dylan, 1965d] and will probably get the

    reader down. We may allow (no limit) to be negative, in which case we’ll want either both X and (no limit) to be positive at the same time or both negative.



    Other than the sign of X [Dylan, 1967a] however, there is nothing specified about it. If X is complex, then it has a real part that acts as above and an imaginary part, in which case (No Limit) times X is also complex, which makes Love both complex and partly imaginary [Whitfield-Strong, 196?]. Dylan himself has explored this idea extensively in later investigations [1975a, 1975b] with extensive revisions [1984, 1974/1993, various public

    presentations since 1975].



    At any rate, we can conclude definitely [Anderson, 1982] that:



        X=X



    We thus sum up by offering the following observations:



    1. Love is infinite if X is finite.



    2. Love is indefinite if X is zero.



    3. Love is infinitely negative if X is negative.



    4. Love is imaginary if X is imaginary.



    Fractal Love is Problematic



    There remain some questions regarding the appropriateness of using fractal mathematics to resolve these problems, e.g., “i accept chaos. i am not sure whether it accepts me” [Dylan, 1965e]. But we should also clarify that we are not putting infinity up on trial [Dylan, 1966] here. Love is, after all, just a four-letter word [Dylan, 1967b].



    References

    Anderson, L., 1982, “Let X = X,” Big Science, (Warner Brothers, Burbank CA).

    Costello, E., 1977, “Less Than Zero,” My Aim Is True, 2nd ed., (Columbia, New York NY).

    Dylan,B., 1965a, “(Love - 0) /No Limit,” Subterranean Homesick Blues, (Columbia, New York NY).

    Dylan, B., 1965b, “Love - O/No Limit,” Subterranean Homesick Blues, back cover, (Columbia’, New York NY).

    Dylan, B., 1965c, broadcast communication.

    Dylan, B., 1965d, “Just Like Tom Thumb’s Blues,” Highway 61 Revisited, (Columbia, New York NY).

    Dylan, B., 1965e, liner not~s, Highway 61 Revisited, (Columbia, New York NY).

    Dylan, B., 1965f, “Tombstone Blues,” Highway 61 Revisited, (Columbia, New York NY).

    Dylan, B., 1966, “Visions of Johanna,” Blonde on Blonde, (Columbia, New York NY).

    Dylan, B., 1967a, “Sign on the Cross,” Writings and Drawings, (Random House, New York NY).

    Dylan, B., 1967b, “Love Is Just A Four-Letter Word,” Writings and Drawings, (Random House, New York NY).

    Dylan, B., 1974/1993, “Tangled Up In Blue,” The Bootleg Series, vol. 2, (Columbia, New York NY).

    Dylan, B., 1975a, “Simple Twist of Fate,” Blood On the Tracks, (Columbia, New York NY).

    Dylan, B., 1975b, “Tangled Up In Blue,” Blood On the Tracks, (Columbia, New York NY).

    Dylan, B., 1978,” ,” Street Legal, (Columbia, New York NY).

    Dylan, B., 1984, “Tangled Up In Blue,” Real Live, (Columbia, New York NY).

    Mottram, E., 1965, William Burroughs: The Algebra of Need.

    Whitfield-Strong, 196?, “Just My Imagination,” as reviewed in R. Stones, 1978, Some Girls, (Atlantic, New York NY).

  • Somewhere or another I read that the human body completely replaces itself on a cellular level every seven years. That means that today I am a completely different person than I was the day my father died, which was seven years ago this morning.



    I suppose that’s true in a metaphysical way as well. I know that for the longest time I felt diminished, as though I was no longer the person I was when Daddy was alive. Getting my bookkeeping in order and my weight down were two steps towards getting back to who I was BMD (before Max died). Still, I’m not the same. I’m more melancholy (hard to believe, I know, especially considering I espouse putting Prozac in the city’s drinking water to improve the community at large).



    I miss talking football with him. I miss talking baseball and basketball with him. I miss telling him stories about my dogs. I miss him every Sunday when he doesn’t call. I miss him sending me marshmallow Peeps at Easter time, and a weekly envelope full of newspaper clippings.



    I miss his acerbic take on politics, and know that the Tea Party would have caused him to burst a blood vessel in his head. I find myself less tolerant of stupidity than ever, and remember the old man’s favorite saying: “I don’t mind ignorance, but I can’t stand stupidity.”



    Not a day goes by that I don’t think “What Would Max Do?” and the answer guides my actions. And saying that, what Max would do about this sorrow and emptiness would be to suck it up and do the things that still need to get done. There is no going back, so there is no use in dwelling in the sorrow. Pick yourself up and live in the now, he would tell me, although not in those words.



    Nope, Max would say this: you do the things that need to be done first, and then there will always be time to do what you want to do. So I’ll put one foot in front of the other, and wait until tonight, when I can light a candle for my father.



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