One

RJ hit me up with a meme. I am not totally averse to memes, and since she singled me out not once, but twice on this, I’m going to play. The instructions say to use one word answers and to tag another 6 bloggers. I won’t tag, but feel free to play, leaving a comment with a link to your answers.



1. Where is your cell phone? purse



2. Your hair? shagged



3. Your mother? zombie



4. Your father? dead



5. Your favorite food? Indian



6. Your dream last night? boring



7. Your favorite drink? martini



8. Your dream/goal? creating



9. What room are you in? studio



10. Your hobby? fiber



11. Your fear? powerlessness



12. Where do you want to be in 6 years? here



13. Where were you last night? here



14. Something you aren’t? unmemorable



15. Muffins? no



16. Wish list item? Paris



17. Where did you grow up? Stuart



18. Last thing you did? drink



19. What are you wearing? dress



20. Your TV? off



21. Your pets? varied



22. Friends? special



23. Your life? feh



24. Your mood? feh



25. Missing someone? Jayne



26. Vehicle? Smart



27. Something you’re not wearing? shoes



28. Your favorite store? Picasso’sMoon (I had to cheat, it has two names)



29.Your favorite color? purple



30. When was the last time you laughed? today



31. Last time you cried? yesterday



32. Your best friend? Renee



33. One place you go to over and over again? Sarasota



34. One person who e-mails you regularly? Bobby



35. Favorite place to eat? Gil’s



Souls of the Departed

I was making copies of advertising tear sheets the other day, standing at the copy machine and daydreaming, when the following caught my eye. It is reprinted with permission from Southern California Physician magazine, the November 2009 issue. This magazine probably doesn’t have the distribution of say, the New York Times, or even Weekly World News, but this essay is too important not to share.



Silence is Consent

Speaking up for the public option, by Howard L. Lang, MD



I cannot remain silent. When I read the opinion articles by Drs. Krauss and DiLibero and the predictable answers to the interview with the Libertarian Cato Institute in the September issue, I felt compelled to respond.



The pigeonholing of “government control of health care” puts ideas into a prefabricated box that has infected and distorted the debate about the public option. Simply put, the public option is nothing more than an option for consumers what would expand choice in the insurance marketplace. Without a public option what will restrain the insurance industry? The public option is the key to expanding coverage and choice, bringing down costs and holding the insurance industry accountable. It is not a “government takeover” of health care. Let us not have these labels blind us to the facts.



The facts in the current legislation, as reported in Medscape Business of Medicine, are as follows:



  • The government would negotiate reimbursement rates directly with physicians. The rates could not be lower than Medicare rates but could not be higher than the average rate paid by provided plans. I believe that medical organizations should require the legislation to provide anti trust relief so physicians could collectively bargain with either the government or other third party payers.


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  • One amendment (Sen. Charles Schumer, D-NY) for the public option would prohibit tying the rates to Medicare. It would be required to pay for itself through premiums collected. It would not be funded by the U.S. Treasury. Also, there would be no bailout if it didn’t support itself.


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  • The plan would be optional for providers to choose whether or not to participate.


  • To put it simply, only consumers who want to enroll in a government-run health plan would do so. Anyone who preferred private insurance could get it.



    Government can enhance human freedom and give people options they would not otherwise have. When you consider the involvement of government in K-12 education, helping students to attend college, and unemployment compensation, you realize that the public insurance option is entirely consistent with the American tradition of using government to open new avenues of choice and opportunity.



    The fate of the public option as of late October is still undetermined. There is a public option in the three committees of the House and in the Senate’s Health, Education, Labor and Pension Committee. There is no public option in the Senate Finance Committee bill.



    There is strong support for the public option in the physician community as well as in the public. A recent poll of physicians funded by the Robert Wood Johnson Foundation, as reported in the New England Journal of Medicine, showed that 63 percent of physicians supported a plan that contained a public and private alternative with 27 percent supporting a private-only option that would provide subsidies for low income individuals to purchase insurance. The researchers found that 58 percent of physicians surveyed supported expanding Medicare eligibility to those between the ages of 55 and 64. A recent national poll showed that 70 percent of Americans favor a public option as a choice.



    Here are more unpleasant facts, not opinion. A Harvard study revealed that 14,000 people per day lose their health insurance and 62 percent of all bankruptcies are from medical costs. This breaks down to 120 people every day, 3,750 people per month, 5 people per hour and 1 American every 12 minutes. All dead because of a broken delivery system which is based on profit, not caring.



    The public option uses government as a nudge toward greater competition. The public option is a monopoly and monopsony buster. The 2008 update of Competition in Health Insurance: A Comprehensive Study of U.S. Markets presents new data on the degree of competition in different regions of the country. The study is intended to help identify areas where consolidation among health insurers may have harmful impacts on consumers, providers of care and the economy. Market shares and concentration measures are presented for 314 metropolitan areas and 42 states. This study finds that the vast majority of markets are highly concentrated and are dominated by one or two health insurers. These findings, coupled with higher insurance premiums, higher profits, lower scope of benefits and high barriers to entry, leads to the conclusion that health insurers are exercising market power in many parts of the country. Without a public option providing competition, more of our fellow citizens will be uninsured and more will die.



    Another issue is cost to consumers and government which the public option will help moderate. In the October Editors note, one part of the cost issue is addressed. I will add that, as reported in teh Washington Post health care premiums have risen by 300 percent over the past 30 years after adjusting for inflation. Hourly earning for workers, adjusted for inflation, have fallen and any wage increases have been consumed by health care costs. The costs for the approximately 46 million uninsured are shifted to the insured. According to an analysis by the Center for American Progress, this raises premiums for the average family by $1100 a year.



    When we look at the entire picture of our health care delivery system it is clear that substantive reform is absolutely necessary. We are talking about the fundamental principles of social justice. Not only would collapse of health reform be a political and policy failure, but a profound moral failure and a blot on our great nation. How we provide health care says a great deal about our country’s heart and soul. Has our soul departed?



    The Ayn Rand and Gordon Gecko philosophy of “Greed is Good” is the antitheses of what this country should stand for.



    Thucydides was once asked: “When will there be justice in Athens?” His reply: “There will be justice in Athens when those who are not injured are as outraged as those who are.”



    I am outraged!



    Howard L. Lang, MD is Past President of the California Medical Association and past chair of the AMA Medical Staff Section.





    Yeah. Pass that along.



     

    Yeah, yeah, yeah. Let’s just get this over with. Miz Shoes was disinclined to expend the energy on notes, so this may not be the most accurate recap you ever read. The final adequate three have been chosen and given a meager pittance to create a collection to show in Bryant Park. Tim is subjected to humiliation, delivering forced repartee with Heidi and then having to dance The Bump with her behind the scrim. It’s embarrassing.



    Further injury and insult takes the form of a flowery apron, tied neatly over his black suit by Carol Hannah and her mother, as Tim makes biscuits with the women. That is neither a metaphor nor a symbol of something deeper. Sometimes a biscuit is only a biscuit. Carol Hannah has been inspired by a visit to the Duke Campus at night. Apparently, they have some drab grey topiary at Duke.



    Next Tim meets the ur-creaky old elevator you’ve ever seen in a horror/action flick and visits Althea in her gritty brick loft, a relic from the days when Dayton was a boom town. Miz Shoes cannot speculate on the decade that may have been. Althea has been inspired by something or another and is making the same black sequin waiter’s jacket she made all season. There are more pants. There are more oversized knits and drab colors.



    Finally Tim is allowed back onto the island of Manhattan where he is taken to Irina’s favorite restaurant and he (presumably), but not the viewers, is introduced to everyone at the table. Irina’s sisters all look exactly like her, and she is the clone of her mother. Everyone gets subtitles, and it’s kind of awesome and kind of insulting. Her mother looks like she’s wearing the sweater Irina made for the Aspen challenge. It’s the same color, and has the same cowl neck.



    Irina is inspired by New York City, specifically, Coney Island. She has made drab grey tee shirts with the iconic image of the Coney Island ferris wheel. Everything else is black, including the oversized knits. Later, we see Tim telephone her to say that the producers and the lawyers have determined that that iconic image is copyrighted by someone else, and she doesn’t have permission to use it. Irony? Anyone? Anyone?



    Finally, it is fashion week and the girls meet again at the hotel. Irina and Althea sit in awkward silence for hours waiting for Carol Hannah, who never shows because she has a stomach virus. But she recovers enough to show up for model casting. Then she throws up. Then Michael Kors and NinaGarcia come

    to fulfill their contractual obligations

    to give some last minute advice. Irina ignores what NinaGarcia tells her, because what would NinaGarcia know about fashion editorials?



    Carol Hannah is still sick when Heidi and Tim come to give them the annual Surprise Thirteen Look At The Last Minute For Drama (trademark). To help them, the last three designers thrown off the show get to come and eat ashes and crow. Althea snaps up Logan who is still bow-legged, but no longer wearing the magic shiny pants. Irina tells Gordana to come to Mama, and Gordana pretends joy as she steps to her side. Carol Hannah is so happy not to be puking on national television, that she welcomes Christopher.



    Irina pretends to think that Althea somehow channeled her from afar and stole her ideas. They both have knits. Gordana asks for a crochet hook while at Mood. Over on Ravelry, there is debate about the knits. Althea said that she herself had been knitting, whereas Irina merely called hers handknit. So did Irina knit, or did she hire someone to knit for her?



    Next week, Irina styles her models like Jillian from Season 4, and we find out who won and like baseball fans everywhere, sigh, well, there’s always next season. It has to be better than this one.

    What a Day for a Daydream

    Today is a but first day. You know, you have things to do that you want to do, but first, you have to do something else.



    This is what I want to do: spin up these batts that I made last week when FiberNinja came to play.



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    But first, I have to make my way through this mess; sorting, storing, tossing and filing so that there is enough room to pull out the spinning wheel. Sigh.



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    And I also have to visit my mummy. And in the afternoon, I have an appointment to get my hair cut. I think I may have found someone who understands me when I say I need Roger Daltrey at the Isle of Wight. Oh, just Google it.



    Bile green LA morning: Althea and Irina are no longer speaking. Irina is a smug bitch. Christopher is the last boy standing and says it’s strange. Agreed. Gordana wants to represent. This is the last challenge. Tim is going to take them to an iconic place with priceless views. More green smog. The Getty Museum. The mayor of LA claims that LA is the creative capitol of America. Miz Shoes weeps for the death of creativity. Thirty minute tour. Sketching. Mood. Models as assistant muses. Althea is inspired by the architecture of the museum itself. Carol Hannah is overcome by the French decorative arts and what appears to be Marie Antoinette’s bed. It is a turquoise and gold brocaded rococo confection with swoops and swags and ostrich feathers. Irina is seduced by a faux-Orientalist semi-Pre-Raphaelite women languidly lolling around in diaphanous togas. Gordana weeps at the sight of one of Monet’s cathedrals in dawn light. And Christopher. Ah, weeping, prayer-handed emo boy is overcome by the beauty of algae on rocks in an outdoor fountain. Oh, Christopher, you are so edgy…not.



    Mood. Irina finds a sheared goat pelt. Christopher finds acid green. Carol Hannah is panicking. So far, so much of the same as every other episode this season. To the workroom, where Irina is a bitch and talks smack about the other designers, Carol Hannah fumbles around and Christopher continues to be a tool. Gordana says it would be sooooo disappointing to make it this far and not go to Bryant Park. Six seasons of watching, and the dismal reality of this season, lets us know that is a sure sign that Gordana will NOT be going to Bryant Park. Thank you blatant foreshadowing.



    Irina is a bitch, who is now Gordana’s pal, having burned Althea. Carol Hannah is now Christopher’s pal, since Logan is gone and forgotten. Tim comes in for his walkabout, and tells Carol Hannah to lose the diagonal swash across the bust, Irina to lose the goat fur road kill and warns Althea about the puckering on her strippy, cross hatched piecing. (Which is exactly the same as her Bob Mackie challenge dress.) Tim loves Gordana’s dress and the clear inspiration of the Monet. She’s dead.



    Christopher displays his only self-awareness this entire season when he confessionalizes that he knows that he’s being portrayed as the wacky kid who never listens to Tim. The designers all talk shit about the others. Everything looks pretty lousy. Morning. Workroom. Stress. Back-biting. Christopher says his dress is dirty and pretty and he’s sure that the judges will finally see his vision. Irina is a bitch about Christopher. Althea’s a bitch about Gordana. Irina is a bitch about Althea. It’s a circle jerk of bitchiness.



    Tim gives the last pep talk. Make NinaGarcia’s stilettos blow off her feet and shoot across the room. Yeah, says Miz Shoes from her couch, good luck with that. Heidi tells the designers this is a double elimination. The judges are NinaGarcia, Cynthia Rowley (Miz Shoes loves Cynthia Rowley) and Cindy Crawford. Ho-fucking-hum. Time to see what these guys have managed to produce.



    Althea has a sandstone colored dress with a sheer top over a very puckered skirt. Carol Hannah has made a pretty gold gown with some fabric braiding on one shoulder. Christopher has a grey and green sheer drawstring-necked top (Vampire Bride), with a grey corset (paper challenge) and a straight skirt with some really horrible finger painting.



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    Gordana’s dress is a simple sheath with layers of colors that are evocotive of both her inspiration and a vagina. Irina’s model has a terrible, terrible horse-stomp walk and a floppy green dress that looks like a 1980s disco fever dream. Her model is styled like the muse in that rollerskating movie…Xanadu.



    Althea’s dress has an underworked top and an overworked skirt. Heidi calls it a mess fest. NinaGarcia tells Irina that she has styled her goddess gown like an old lady. The length is wrong. The styling is wrong. The shoes are awful. Gordana’s silk organza is beautifully made. Heidi can see the connection to the painting. The judges finally decide that the zipper is badly sewn. Carol Hannah and her French decorative arts: Cynthia Rowley loves the fit, Cindy Crawford doesn’t see the connection. NinaGarcia calls it perfect and safe.



    And then there is Christopher. He cries that he IS a rock with algae. Thanks for sharing. Get off the runway. The usual question of why should you go and who should go with you results in predictable answers: Because I WANT it so bad. Because I’ve never been in the bottom three. Because I make beautiful clothes that women want to wear. Because I’m an immigrant with American dreams (that from Irina, by the way).



    More filler of the judges pretending to make a “tough” decision. Irina is in. Carol Hannah is in. Althea is in. Gordana and Christopher go home. And that’s a wrap. Miz Shoes is so over this season, that she isn’t even committed to watching the finale. Will the bitch win? Or the little blonde or the big blonde?



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    Finally, Miz Shoes would like to show Christopher what you do with grey and algae green that looks like water sparkling over rocks.



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    In case you don’t recognize the detail, that’s Laura Bennett’s amazing grey and acid green gown from season 3. Compare and contrast and learn.



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    Happy HallowTweet

    This is the big day, and I have spent the morning culling photos and scanning. I bring you a Shoes Family Halloweens Through the Years. First up is Grandma Shoes On My Mother’s Side. Here we see her modeling a grass skirt, circa WWII, some sailor brought them home for my mom and her mom. Under the coconut trees on Grandma’s front yard (the side facing the river). Check out the coy little ankle.



    FannieKanarek194?



    And then Mummy, probably the same year she dressed me in the gypsy costume. Taken at Seymour’s Inn Halloween Dance, Jensen Beach in the early 1950s. She was something fierce, my mummy.



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    The fun couple that was my Mummy and Daddy: all taken at Seymour’s. I wish we had a Seymour’s today. A classic road house: a bar and very casual family dining at the foot of a popular fishing bridge, across the river from a popular public beach.



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    Artist and Majorette



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    Peter (of Peter and the Wolf, with his popgun) and Mary Mary Quite Contrary.



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    Little Lord Fauntleroy and Little Bo-Peep



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    Miz Shoes in Peacock Drag (it was the night that the RLA first told me he loved me)



    And Miz Shoes as a wood nymph, loosely interpreted.

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