Palladium, NYC, 1976?



Shot from the balcony, with a telephoto lens. See? I was there. And by then, he'd shaved.

Rock & Roll Remembered

As you all know, I am a devoted, maybe even a little obsessive, fan of Bruce Springsteen. I have been since the first time I ever saw him live, in the Miami Jai Alai Fronton in September of 1975. Let me set the, you'll excuse the expression, stage.

Back in those days, artists weren't as possessive of themselves as they are now, and it was common practice to drag a camera along to a show. Especially for kids like me, art students with more than a passing knowledge of photography. We shot everything. At UM, there was an excellent Student Entertainment Committee, and we had tons of shows on campus, out on the patio overlooking the Olympic-size pool and diving area.

Some of the acts I saw and shot were Elvin Bishop, Billy Joel (Piano Man had just been released), BB King, and Jimmy Buffett. I had seen some major acts off campus, as well: Jefferson Starship, Procol Harum, the Grateful Dead, and Cat Stevens, to name a few. I was a rocker, and a shooter, and a cynical art student and nothing impressed me.

I had Greetings from Asbury Park and The Wild, the Innocent and the E Street Shuffle, so when Born to Run was released, and the tour to support it was announced, I bought my ticket, loaded up the camera and went to the show with my boyfriend.

There was a problem at the gate: they weren't letting people in. Years later I found out that was because there had been so few tickets sold there was a debate about actually doing the show.

We had seats in the back, but since there were only a few hundred people there, we immediately moved to about the third row, center. I got out the camera, focused on the stage and waited.

A single blue spotlight focused on the mike stand. A raggedy, hairy guy in a denim jacket and a black watchcap stood with his back to the audience. He started to play harmonica. The song was "Thunder Road". By the time they rolled into "Spirits in the Night", I was standing on my chair arms, dancing and my camera was forgotten under my seat. Bruce took a dive into the audience during that song and was passed along hand to hand over peoples heads. He never stopped singing. I never took a shot that night.

I had never seen anything, or heard anything, like him. I had seen God in the form of rock and roll. I was a fan, from that moment on, I was a fan. As we left the show, the boyfriend asked me to stay in Miami after I graduated in December. I turned, looked at him and said (predictably, and please remember I was only 20, so excuse the awfulness of this) "Sorry, Eric, but tramps like us, baby, we were born to run."

I moved to New York City. I met The Coolest Person in the World TM. I saw more rock and roll and took thousands more photos. But I have never, ever, ever, lost my passion for rock or for Bruce. And you know what? Bruce has never, ever lost his passion for the music or his appreciation of his fans. It is a covenant that goes both ways.

I was listening to a bootleg of "Thunder Road" from the mid 70s on the ole i-pod just now, and it all came back. I don't know, I just thought I'd share.

She Was HOW Old?

"What ever happened to Fay Wray?
That delicate satin-draped frame?
As it clung to her thigh,
How I started to cry,
Cause I wanted to be dressed just the same"

Dr. Frank N Furter, Rocky Horror Picture Show

Well, she was 96, and frankly, I thought that she'd been dead for decades. But, no.

I'm sorry, I'm just too dispirited to tell you stories of workplace stupidity, or kitchen follies.

The air conditioner, which had been broken for all of June, has just broken again, and the "service" people won't fix it and the "service" desk at Circuit City doesn't want to hear about the lack of service by their contractors.

Don't start me about the concept of service in the service industry. As I said to them last time, "If your contracted HAD actually fixed it, I wouldn't be screaming at you right now, now would I?" Or, on being told that I had called after working hours, "Well, you're working, are you not? You are not a service or an answering machine. And I'm sitting at my desk, talking to you. So both of us are, in fact, at work. How is this not working hours?(BIATCH!!)"

Bite me. Time for lolling in the pool with a tall one.
Hot to you from AP:

Bands Gather to Stump Against Bush
By LARRY McSHANE


NEW YORK (AP) - A collection of more than 20 prominent musicians from John Fogerty to Bruce Springsteen to Pearl Jam joined forces Wednesday calling for President Bush's ouster, announcing an unprecedented series of fund-raising concerts across nine swing states.
"I feel this is one of the most critical elections in my lifetime," Springsteen told The Associated Press in the most overtly political statement of his career. "This wasn't one that a concerned citizen felt comfortable sitting out."

Springsteen was joined by a collection of performers that spanned generations and genres: country act the Dixie Chicks, hip-hoppers Jurassic 5, bluesman Keb' Mo' and classic rockers John Mellencamp and Jackson Browne. The artists, touring under the "Vote for Change" banner, will play 34 shows in 28 cities between Oct. 1-8.

Springsteen's concerns and commitment were shared by other performers, including Dave Matthews and his band.

"It's the first time Bruce and the E Street Band ever stood up and made a clear political statement," Matthews told The AP. "This is the first time we've ever stood as a band, unified, and said we want a change."

The shows, which launch Oct. 1 in Pennsylvania, will take an unusual approach: as many as six concerts on a single day in cities across the states expected to decide the November presidential race. Other stops on the tour are North Carolina, Ohio, Michigan, Iowa, Minnesota, Missouri, Wisconsin and the key state in 2000, Florida.

The money generated will go to America Coming Together, which promises on its Web site to "derail the right-wing Republican agenda by defeating George W. Bush." The anticipated millions of dollars will be spent in the swing states before the presidential election, said ACT president Ellen Malcolm.

The shows will be presented by MoveOn Pac, the electoral arm of the liberal interest group MoveOn.org.

There was no immediate word on prices for tickets, which go on sale Aug. 21 for all the shows. The concerts will pair artists, such as Springsteen and REM, the Dixie Chicks and James Taylor, or Mellencamp and Kenny "Babyface" Edmonds.

Natalie Maines of the Dixie Chicks, who memorably told a London audience last year that she was ashamed to share her home state of Texas with Bush, echoed Springsteen's comment about the importance of the Nov. 2 election.

"A change is in order," Maines said in an AP interview. "There's never been a political climate like this, which is so the polar opposite of me as a person and what I believe in."
The idea was hatched by several of the acts' managers, and quickly expanded. "Once we started talking to each other, ideas started percolating and other artists started reaching out to us," said Jon Landau, Springsteen's manager.

Many of the acts had a history of social activism, from Browne's anti-nuclear concerts to Mellencamp's Farm Aid shows. Pearl Jam front man Eddie Vedder was a Ralph Nader backer in 2000, but he feels Democratic nominee John Kerry is the choice this time around.
"There's a vote coming up, and a chance to have a regime change at home," Vedder told AP. "I'm feeling the same way, there's a need for change."

I told you all so, I told you, I told you, I told you. I said last week when John Kerry came out to the strains of "No Surrender" that he did it with Bruce's blessings.

Here's the quote from the man his own self, right off his site, and (for the first time that I can remember) over his signature:

"I felt like I couldn't have written the music I've written, and been on stage singing about the things I've sung about for the past twenty-five years and not take part in this particular election."

And here's the letter he ran today in the New York Times:

"CHORDS FOR CHANGE
By BRUCE SPRINGSTEEN
published in The New York Times, August 5, 2004

A nation's artists and musicians have a particular place in its social and political life. Over the years I've tried to think long and hard about what it means to be American: about the distinctive identity and position we have in the world, and how that position is best carried. I've tried to write songs that speak to our pride and criticize our failures.

These questions are at the heart of this election: who we are, what we stand for, why we fight. Personally, for the last 25 years I have always stayed one step away from partisan politics. Instead, I have been partisan about a set of ideals: economic justice, civil rights, a humane foreign policy, freedom and a decent life for all of our citizens. This year, however, for many of us the stakes have risen too high to sit this election out.

Through my work, I've always tried to ask hard questions. Why is it that the wealthiest nation in the world finds it so hard to keep its promise and faith with its weakest citizens? Why do we continue to find it so difficult to see beyond the veil of race? How do we conduct ourselves during difficult times without killing the things we hold dear? Why does the fulfillment of our promise as a people always seem to be just within grasp yet forever out of reach?

I don't think John Kerry and John Edwards have all the answers. I do believe they are sincerely interested in asking the right questions and working their way toward honest solutions. They understand that we need an administration that places a priority on fairness, curiosity, openness, humility, concern for all America's citizens, courage and faith.

People have different notions of these values, and they live them out in different ways. I've tried to sing about some of them in my songs. But I have my own ideas about what they mean, too. That is why I plan to join with many fellow artists, including the Dave Matthews Band, Pearl Jam, R.E.M., the Dixie Chicks, Jurassic 5, James Taylor and Jackson Browne, in touring the country this October. We will be performing under the umbrella of a new group called Vote for Change. Our goal is to change the direction of the government and change the current administration come November.

Like many others, in the aftermath of 9/11, I felt the country's unity. I don't remember anything quite like it. I supported the decision to enter Afghanistan and I hoped that the seriousness of the times would bring forth strength, humility and wisdom in our leaders. Instead, we dived headlong into an unnecessary war in Iraq, offering up the lives of our young men and women under circumstances that are now discredited. We ran record deficits, while simultaneously cutting and squeezing services like afterschool programs. We granted tax cuts to the richest 1 percent (corporate bigwigs, well-to-do guitar players), increasing the division of wealth that threatens to destroy our social contract with one another and render mute the promise of "one nation indivisible."

It is through the truthful exercising of the best of human qualities - respect for others, honesty about ourselves, faith in our ideals - that we come to life in God's eyes. It is how our soul, as a nation and as individuals, is revealed. Our American government has strayed too far from American values. It is time to pick up the pieces and move forward. The country we carry in our hearts is waiting. "

Amen, Bruce. A-fucking-men.

Carrot Soup

It was pouring when I left work yesterday. There was such a downpour that the RLA couldn't grill the steak that was waiting in the fridge for its moment of glory over the coals.* I would have broiled it, but the control panel on the oven blew, and I'm waiting on a replacement. I have a second oven, but (ok, little O/C behavior alert) I only use it for baking.
Some of my friends think I keep the oven for baking because I'm kosher. Nothing could be further from the truth. I keep it pure for baking because it keeps the flavors and aromas of my baked goods pure. No meat, no grease, nothing despoils the quality of my pies and cakes.

This inability to cook meat meant that I had to do a quick two-step and figure out an alternative dinner. Hmmmmmm. There is a 2-pound bag of rainbow carrots. I have fresh onions and garlic. A dozen fresh lemons are hanging around in the fruit compartment.

Off I run to the laptop, and three minutes later, I have found a recipe on Epicurious.

It was simple to make, and absolutely delicious. On a rainy night, there's nothing like a bowl of homemade soup. Here's the whole recipe, direct to you from the pages of Epicurious.

"CARROT SOUP

Root vegetables are a staple of Irish cooking. They often show up in soups, such as this one from The Courtyard in Schull, Ireland.

2 tablespoons olive oil
2 pounds carrots, peeled, sliced
1 large onion, finely chopped
6 garlic cloves, peeled
5 whole cloves
4 cups (about) canned vegetable broth or water
1 tablespoon fresh lemon juice
Pinch of sugar

1/4 cup chilled whipping cream

Chopped fresh parsley

Heat oil in heavy large saucepan over medium heat. Add carrots, onion, garlic, and cloves and saute until onion is translucent, about 8 minutes. Add 3 1/2 cups broth. Cover and simmer until carrots are very soft, stirring occasionally, about 30 minutes.

Remove cloves from broth and discard. Puree soup in batches in blender. Return soup to same saucepan. Mix in lemon juice and sugar. Season to taste with salt and pepper. Thin to desired consistency with more broth. (Can be prepared 1 day ahead. Cover and refrigerate.)

Whisk cream in medium bowl just until slightly thickened, about 10 seconds.

Stir soup over medium heat until heated through. Ladle into bowls. Drizzle cream over. Top with parsley.

Serves 6

Bon Appetit
May 1996
Restaurant: The Courtyard; Schull, Ireland"

My variations were as follows: I used chicken broth (purchased) instead of vegetable broth. I did not garnish with whipped cream and/or parsley.

It barely served 2. There was maybe a single bowl left over.

On the Epicurious site, reviewers of this recipe reported excellent results from roasting the vegetables first.

* The RLA's "Indian Name" is Man Who Cooks With Open Fire
This week, I took a meeting with someone from HR, or, as they now are called, Human Resources Capital Management. Am I a capital asset? I suppose that's a step up from being what ever the hell I was classified before.
It started, like so much else, with a memo. The e-mail arrived, over the signature of the Director, who invoked the name of the Senior Vice President, and told me that, per said SVP's request, the attached newsletter should be placed on the web. It was requested that this internally-directed piece be linked off the home page.

I replied, politely, that it should, in my opinion, be placed on the Employee's home page. I cc'd all and waited. The response came back, via telephone, from a random middle manager, who admitted that this was his project, and he had sent the original e-mail out over his boss's siggie. Then he requested a meeting with me and my boss, in my office, so he could "see" where I wanted to put his link, because "I'm a visual person."

Fine. I'll show him a page on the site, that he either doesn't know how to get to, or is too lazy to click on, or what ever excuse there is for him not to be able to find it on his own.

He comes into my office, and my PHB is hanging in the doorway. Not completely out of the meeting, but certainly not a total participant, either.

I show the manager where his link will go. He shows me the newsletter he's created (all by himself) in Word. And then we all fall down the rabbit hole together, when he says:

"A lot of my employees are computer phobic. They are afraid of computers. What can we do?"

I tell him. "Hey. It's the twenty-first century already. Tell them to get over it, and learn how to use the tools."

"Well," he replies, "I need for them to read this, but we want to get away from paper, and they are computer phobic. How do you suggest we reach them?"

"Hmmm. Well, you know, wanting to get away from paper and not wanting to use computers are sort of mutually exclusive. I don't know what other options you have, unless you buy a radio station."

And that, my friends, is why they keep me in a room by myself, and try not to let me interact with the clients.

I also had a drop in from my own Senior Vice President, who wanted to know what kind of response I was getting from the department regarding our most recent call to volunteer out in the community. I told him that out of the hundred or so employees in our group, I had received exactly one response. It said that the sender could not participate, due to allergies.

Well. What is wrong with people, he asked me. Why won't they volunteer? Uh, is that a rhetorical question, sir, or do you really want to know the answer? He said he really wanted to know. So I, the Oracle; the Voice of Ugly Truth, told him.

"This is a county hospital. Everyone here feels like coming to work is a volunteer activity. And today, with lay-offs hanging over our heads, and the communication about it so mismanaged, and disfunctional, the attitude of your employees is like: "You want me to go volunteer to do manual labor in the community and I could come back and not even have a job? Bite me."

He was stunned. Really? That's the way people feel? (Uh, duh. Yeah.) The best way to get over feeling sorry for yourself, he said, was to do service for others. (I guess that explains the comment he made to me about my father's death: "Good luck with that grief thing.")

We ended on a positive note, though. I had a sudden brain storm and suggested that maybe, just maybe, the best volunteer opportunity yet lay ahead:

Why don't we make our department service project a "Get out the vote" effort, and sign up new voters, work the polls in November and drive voters to the polls?

He loved it. I did too, because when they start announcing those layoffs, and the crisis in public funding for public health, those pissed-off, soon to be unemployed union members are going to vote for the Democrats.

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